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 我觉得不错系列：（电影专集）在美国看电影《华氏911》（转贴） |
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我觉得不错系列：（电影专集）在美国看电影《华氏911》（转贴） -- 安普若 - (3110 Byte) 2004-7-12 周一, 02:25 (2642 reads) |
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作者：游客 在 海归茶馆 发贴, 来自【海归网】 http://www.haiguinet.com
an article probably coming from a Republican. the link for full article is below
https://www.davekopel.com/Terror/Fiftysix-Deceits-in-Fahrenheit-911.htm
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Fifty-nine Deceits in Fahrenheit 9/11
By Dave Kopel
This is a preliminary version of an article that will be published on National Review Online. This report was first posted on the web on the morning of July 1. Since then, I've revised several sections in response to reader requests for clarifications, and have added additional deceits which have been pointed out by readers or journalists. As result, the number of listed deceits has been raised from 56 to 59. On July 8, I updated the listed deceits, to account for some new ones based on leads supplied by readers, and to remove the "deceit" label from some items which I thought were deceitful, but which a significant number of readers did not.
Thanks to the readers who have written to point out additional deceits or to point out items which need clarification. Also thanks to the readers who have written in defense of Moore. Many such readers have been rational and civil. Moore's reasonable defenders have made two main points:
First, notwithstanding the specific falsehoods, isn't the film as a whole filled with many important truths?
Not really. We can divide the film into three major parts. The first part (Bush, Saudi Arabia, Afghanistan) is so permeated with lies that most of the scenes amount to lies. The second, shorter part involves domestic issues and the USA PATRIOT Act. So far, I've identified only one clear falsehood in this segment (Rep. Porter Goss's toll-free number). So this part, at least arguably, presents useful information. The third part, on Iraq has several outright falsehoods--such as the Saddam regime's murder of Americans, and the regime's connection with al Qaeda. Other scenes in the third part--such as Iraqi casualties, interviews with American soldiers, and the material on bereaved mother Lila Lipscomb--are not blatant lies; but the information presented is so extremely one-sided (the only Iraqi casualties are innocents, nobody in Iraq is grateful for liberation, all the American soldiers are disillusioned, except for the sadists) that the overall picture of the Iraq War is false.
Second, say the Moore supporters, what about the Bush lies?
Well there are lies from the Bush administration which should concern everyone. For example, the Bush administration suppressed data from its own Department of Health and Human Services which showed that the cost of the new Prescription Drug Benefit would be much larger than the administration claimed. This lie was critical to passage of the Bush drug benefit bill. Similarly, Bush's characterization of his immigration proposal as not granting "amnesty" to illegal aliens is quite misleading; although the Bush proposal does not formally grant amnesty, the net result is the same as widespread amnesty. As one immigration reform group put it, "Any program that allows millions of illegal aliens to receive legal status in this country is an amnesty."
But two wrongs don't make a right, and the right response to Presidential lies is not more lies from his political opponents. Moreover, regarding the issues presented in Fahrenheit 9/11, the evidence of Bush lies is extremely thin. Moore shows Bush claiming that a particular day at the ranch in Crawford, Texas, was a working vacation, but Bush appears to be dissembling. Later, after Osama bin Laden was driven into hiding but was not captured, Bush unconvincingly claims not to spend much time thinking about bin Laden. Within Fahrenheit 9/11, most of rest of alleged Bush administration lies actually involve Moore's fabrications to create the appearance of a lie--such as when Moore chops a Condoleezza Rice quote to make her say something when she actually said the opposite.
The one significant Bush administration lie exposed in the film involves the so-called USA PATRIOT Act; as Fahrenheit accurately claims, at least some of the material in the USA PATRIOT Act had nothing to do with 9/11, and instead involved long-sought items on the FBI agenda which had previously been unable to pass Congress, but which were enacted by Congress under Bush administration assurances that they were essential to fighting terrorism.
If you look up the noun "deceit" in the dictionary, you will find that the definitions point you to the verb "deceive." According to Webster's 9th New Collegiate Dictionary, the main (non-archaic or obsolete) definition of "deceive" is "to cause to accept as true or valid what is false or invalid." Although the evidence in this report demonstrates dozens of plain deceits by Moore, there are some "deceits" in this report regarding which reasonable people may disagree. So if you find me unpersuasive on, for example, three alleged deceits, consider this article to have identified "Fifty-six Deceits" rather than fifty-nine. Whether or not you agree with me on every single item, I think you will agree that the evidence is undeniable that Fahrenheit 9/11 is filled with deceit.
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July 11 update: Moore's response.
Moore's "War Room" has published a lengthy point-by-point defense of the movie. Some of the points relate to issues I've raised; others do not. For each item below, I'll provide a link to Moore's response, when there is one. On three issues (Afghanistant's President Karzai; John Ashcroft's pre-9/11 attitude towards terrorism; and the unemployment rate in Flint) Moore's response makes some valid points; not necessarily that Fahrenheit right on these facts, but at least the facts are disputable. On the rest of the items I've identified, Moore's responses are extremely unconvincing, mainly because they so often evade the evidence.
The key to Moore's response, and to the movie itself, is summarized by Boston University Law Professor Randy Barnett:
...I was struck by the sheer cunningness of Moore's film. When you read Kopel, try to detach yourself from any revulsion you may feel at a work of literal propaganda receiving such wide-spread accolades from mainstream politicos, as well as attendance by your friends and neighbors.
Instead, notice the film's meticulousness in saying only (or mostly) "true" or defensible things in support of a completely misleading impression. In this way, Kopel's care in describing Moore's "deceits" is much more interesting than other critiques I have read, including that of Christopher Hitchens. Kopel's lawyerly description of Moore's claims shows the film to be a genuinely impressive accomplishment in a perverse sort of way (the way an ingenious crime is impressive)--a case study in how to convert elements that are mainly true into an impression that is entirely false--and this leads in turn to another thought.
If this much cleverness was required to create the inchoate "conspiracy" (whatever it may be, as it is never really specified by Moore), it suggests there was no such conspiracy. With this much care and effort invested in uncovering and massaging the data, if there really was a conspiracy of the kind Moore suggests, the evidence would line up more neatly behind it, rather than being made to do cartwheels so as to be "true" but oh-so-misleading. If the facts don't fit, shouldn't we acquit?
作者：游客 在 海归茶馆 发贴, 来自【海归网】 http://www.haiguinet.com
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